Now two weeks have passed since the publication of the long-awaited new album Vasco Rossi "living or nothing" and how to forecast made their appearance on the web reviewsmyriad, many of which are characterized by self-aggrandizing.
If it is true that the rocker of Zocca has a bevy of fans who support now from time immemorial, it is also true that there are anti-Blasco, those who do not appreciate nor his music or his character. Not surprisingly, therefore, if a positive judgement and critical few cues to demonstrate that disk anticipated by the single "Eh ... Already "has not put all agree. In this respect is a very interesting article published today on RockLab which compared two very different philosophies of thought. Theprosecution to "living or nothing" focuses primarily on "the usual celebration of Vasco Way-of-Life, Prosopopoeia and the presumption of the holy man who poses his indifference and ideas not confondendole with his voice." If we ignore this aspect of the music of "it was very little. A stale and flaccid, unable to contain any glimmer of life, a mummification of a singer is portraying having reached already from one piece of the public who could achieve. What is clear is that Vasco Rossi, with discs so, Captivate is no longer any new fans, and straparla to itself and to ' his ' because she understood that widen their audience is impossible "for him.
If the credits are rather stinging accusation, it is certainly not the least of defenseresponse: one enclosed in "living or nothing" is not simple to themselves, rather it is to be considered as a kind of "special condition" ("there is no doubt that it is an intimate album, where Rossi speaks of himself in many of the songs and this can only be indicative of deep symbiosis between the singer and his fans: few other artists can unfold in this way to their audiences, as well as they arevery true, without CAP and peeled on sight "). The strength of the disc is expressed with the following words: "once again, Vasco teaches to live talking about life (real, man and not the artist), death, love, women (and the particular relationship that Rossi has with theirThese dedication songs but whose main subject is always him), men of things close to the people, and it does so with straightforward, unadorned words, approaching somehow a bit more music restarting after so many years, to sing in a veritable his omitting the classic style of speech that made him famous.
Certainly there will be made an idea of "living or nothing" and after having proposed these two ideas to reflect in depth on fatigue of Blasco please: "living or nothing" is promoted or rejected?
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